CHECK ME OUT WITH ME NEW SITE! Kseniya is a tricycle. Anyways, going to Texas for a week where I may or may not update, but just saw the Dada exhibit at the MoMa and was inspired to write Dada poetry. So hopefully this will resemble that. ALSO: I hereby pledge that my long-running threat of publishing a poetry journal will come to pass before the clock strikes 2007. Wham.
Here's my poem:
MOSQUE
The hero despises his adrenaline;
O! The ax melteth within grandpa's withered hand,
O!
O! forgotten amongst innocent commitees,
O! WHY!
WHY!
The idol knows not to worship the idol, the mirror,
dypropoline glycol, glide product on,
glide product on rememberences of dales in summer hill country,
glide product on great sucker for a cheerful day
glide product on a great sucker equals tipsy hairdresser
equals spotlight glare. O! O! has not man a hard service on earth?
Cocks and hens deemed not true friends to the reich
glide product on steamy sports display case
on cows stopped short of forty yard line
one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen nineteen twenty twenty-one twenty-two twenty-three twenty-four twenty-five twenty-six twenty-seven twenty-eight twenty-nine-thirty-thirty-one-thirty-two-thrity-three-thrity-four-thirty-five-thirty-six-thirty-seven-thirty-eight-thirty-nine
He said "Father S said "I have heard Nancy quote him saying he had heard it pronounced "paper"" he chuckled."
Am I the sea, or a sea monster, that thou settest a guard over me?
Am I the sea, likelihood of the removal of lighthouse by city planners?
Am I the sea, for a few moments I leaned forward and rested my elbows?
Am I the sea, little baby soviet flask empty hey buddy I'm warning you?
Am I the sea?
Friday, June 23, 2006
Tuesday, June 13, 2006
Eighty-Seventh Entry
My mom thought it would be a good idea if I mentioned on my blog that I was unemployed, and that if anyone out there has a job for this young man they should let me know. I can be trusted with all manner of work.
Going home to Texas in a week or so, can't wait.
Played KICKBALL this weekend!
Here's my poem:
WORDS TRAPPED IN A SKULL
I made a deck-chair out of you.
Every Monday, I hear you squeak
as you begin your breakfast routine,
bacon, sausage, steak, chicken, squid,
vulture, tuna, duck, turkey, buffalo,
camel, as I trot to work I can hear
the grate close on the sewer
and I know you have arrived safely
and I begin to worry about myself.
Then again, at night, when the children
chase me around, I light a fire under
myself and I do that little dance.
I sit in you. You are my solid
accomplishment, and I can see you
from here, inside my bedroom.
Who is in my bedroom?
You mean, besides me? It's
about time you leave me alone now,
in case someone you don't know
is coming by. Someone you don't
recognize at the door, with some
present for you, and when you sign
your name, it looks back at you
as a signifier of who you are,
which is how you know who you are,
by what's written on the slip, and then,
by what's inside the box.
Going home to Texas in a week or so, can't wait.
Played KICKBALL this weekend!
Here's my poem:
WORDS TRAPPED IN A SKULL
I made a deck-chair out of you.
Every Monday, I hear you squeak
as you begin your breakfast routine,
bacon, sausage, steak, chicken, squid,
vulture, tuna, duck, turkey, buffalo,
camel, as I trot to work I can hear
the grate close on the sewer
and I know you have arrived safely
and I begin to worry about myself.
Then again, at night, when the children
chase me around, I light a fire under
myself and I do that little dance.
I sit in you. You are my solid
accomplishment, and I can see you
from here, inside my bedroom.
Who is in my bedroom?
You mean, besides me? It's
about time you leave me alone now,
in case someone you don't know
is coming by. Someone you don't
recognize at the door, with some
present for you, and when you sign
your name, it looks back at you
as a signifier of who you are,
which is how you know who you are,
by what's written on the slip, and then,
by what's inside the box.
Friday, June 09, 2006
Eighty-Sixth Entry
So, happy birthday to OH SWEET DEATH! My blog's one-year anniversary came and went without me saying anything! Because I didn't have a poem. Which is one of the rules of the blog. I didn't start it to talk about myself, but I've been doing some of that lately anyway.
What do I have to show for my one year? Eighty-six poems. And not much else. But that, again, was the point. I've been published a lot since I started, and I have a Master's in Creative Writing now. And, for the moment, a girlfriend. We'll see if THAT one is around next year. Oddly enough, I'm not worried.
Anyway, I was recently published in Maureen Thorson's NaPoWriMo chapbook and in classmate Mark Lamoreaux's My Spaceship. You can find out how to order those duders by clicking the corresponding links on my list. Also, Silliman reviews Spaceship and MENTIONS MY NAME!!!! though not anything about my poem, since I assume it speaks for itself. Badly.
Here's my poem:
THE HUMAN LAMB
Finally I tore the lambs apart.
I laid down in the field
and breathed in my bones
and expelled movement.
The smoke was my first sign
something was coming
across the plains
where I had been born
and had rolled in the mud
fearing this day.
I ripped one of my own limbs off
so I would empathize; and here
we are, in this courtroom,
about to convict an innocent man.
I warned you about the wallet-black voice,
the scythe swinging on a moonlit night.
I warned you about the troubles.
The meat had been gamey
and we threw it in the brook.
In the sweltering morning,
mosquitoes, tan from the heat
would slap us all day
out of our dreaming
and help us concentrate on the work:
separating skin from bone.
Keeping bone. We were always
more interested in survival
than in surviving.
What do I have to show for my one year? Eighty-six poems. And not much else. But that, again, was the point. I've been published a lot since I started, and I have a Master's in Creative Writing now. And, for the moment, a girlfriend. We'll see if THAT one is around next year. Oddly enough, I'm not worried.
Anyway, I was recently published in Maureen Thorson's NaPoWriMo chapbook and in classmate Mark Lamoreaux's My Spaceship. You can find out how to order those duders by clicking the corresponding links on my list. Also, Silliman reviews Spaceship and MENTIONS MY NAME!!!! though not anything about my poem, since I assume it speaks for itself. Badly.
Here's my poem:
THE HUMAN LAMB
Finally I tore the lambs apart.
I laid down in the field
and breathed in my bones
and expelled movement.
The smoke was my first sign
something was coming
across the plains
where I had been born
and had rolled in the mud
fearing this day.
I ripped one of my own limbs off
so I would empathize; and here
we are, in this courtroom,
about to convict an innocent man.
I warned you about the wallet-black voice,
the scythe swinging on a moonlit night.
I warned you about the troubles.
The meat had been gamey
and we threw it in the brook.
In the sweltering morning,
mosquitoes, tan from the heat
would slap us all day
out of our dreaming
and help us concentrate on the work:
separating skin from bone.
Keeping bone. We were always
more interested in survival
than in surviving.
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